Dear Netflix,

Congratulations on acquiring the rights to The Chronicles of Narnia.

I am writing to share five thoughts on what Netflix needs to bear in mind to make the series a success. I cannot claim to know anything about producing films or TV series. But I do know about Narnia.

Like millions of others, the books have been very significant to me. I read them first when I was a teenager, but I have continued to re-read them into adulthood. Unlike any other set of stories, they continue to offer a reference point for some of my deepest questions about purpose, faith, life and death.

Disney’s Narnia film series had many good qualities but the abandonment of the project less than halfway through shows the challenges of bringing Narnia to visual life. With all this in mind, these are my top tips for how to create a TV series which is true to the books:

1) Understand the thinking behind the books

The author, C.S. Lewis, was both an academic expert in medieval literature and a high-profile Christian author and communicator. He was a brilliant but complex man. Understanding him, his beliefs and his aims in writing The Chronicles of Narnia is fundamental.

The two best books on this subject are Michael Ward’s Planet Narnia: the Seven Heavens in the Imagination of C.S. Lewis and Rowan Williams’ The Lion’s World: a journey into the heart of Narnia. Ward’s book – subsequently published in an abridged and more accessible version as The Narnia Code – is a highly academic dissection of the hidden ‘key’ which Lewis implanted within each book. The mish-mash of themes and diverse myths and legends in Narnia has puzzled and frustrated academic readers for decades. It was one reason why his friend J.R.R. Tolkien disliked the books so much. But Ward argues that the coherence and distinct atmosphere of each book comes from each one being based on a different planet from the medieval cosmos. It is a thesis that has won almost unanimous affirmation.

Williams’ book is very different. It is a short but deep reflection on the theology that Lewis was conveying through the Narnia tales.  His opening chapter discusses ‘The point of Narnia’ and he uses Shakespeare, Dostoevsky and Augustine to explore the ideas in the stories. He also assesses and responds to the criticism the books have faced.

2) Recreate the distinct atmosphere of each book

No other books have given me such a vivid experience of ‘going into another world’ as the Narnia books have. I now realise this is because of the most fundamental yet intangible strength of the books: the atmosphere, mood or tone that Lewis creates.

The challenge for Netflix is that each Narnia book is distinct with ancient themes and characteristics associated with the seven planets. This makes them very different to the Harry Potter books, for example, which have a more uniform feel and consistency. Capturing the distinctive essence of each book will be vital to re-create the atmosphere Lewis aimed for.

3) Embrace Narnia’s spirituality

All adaptations of Narnia have to grapple with how they will handle the clear spiritual themes within the books.  Faith makes corporations nervous, but ‘theological due-diligence’ will be a key part of the creative and strategic discussions. I would advise Netflix to be bold and as true to Lewis’ thinking as possible.

In the 1980s, the BBC airbrushed spirituality out of its adaptation and this was one factor which made it a poor reworking.  In contrast, Disney were braver in their films. As one newspaper wrote after the box office success of the first film: “Disney finds a way to worship both God and Mammon.”

Disney, however, never got to attempt some of the most theologically challenging scenes in the series because they never finished all the chronicles. Narnia’s creation in The Magician’s Nephew and its apocalypse and depictions of heavenly re-creation in The Last Battle will be immensely difficult to convey on screen.  These scenes will not work without confidence and clarity about what Lewis was trying to convey. The spirituality is embedded within the ‘non-religious’ action: the bravery, treachery, sibling tension, bullying, reconciliation and forgiveness which are jam-packed into the stories. Spiritual truth is embedded and woven within each story.

4) Get the central character right

The character of Aslan stands right at the heart of the books.  He is the only character who features in all seven books in the series, he sings the world into existence and presides over its end. He is the Beginning and the End, the Alpha and Omega of the whole story. 

Aslan is very obviously an authority figure, but Lewis’ achievement is to craft a character who is both immensely powerful and enduringly attractive. And the key to this is the subversive nature of his authority.  In an age where there is so much questioning of structural inequality and systemic injustice this is an aspect that Netflix should emphasise. Aslan is the focus of hope not because he ‘saves souls’ but because he is the liberator of people and the whole of creation. Getting Aslan right will be a huge part of getting Narnia right.

5) Interpret it for a new audience

The Narnia books have faced ferocious criticism from authors such as Philip Pullman, J.K. Rowling and others. When Disney released the first film, Guardian columnist Polly Toynbee wrote an article titled ‘Narnia represents everything that is most hateful about religion’. 

Rowan Williams engages head-on with the accusations that the books have overtones of racism and sexism and that they glorify violence. Whilst allowing for the fact that Lewis was an author of his time, he accepts the discomfort that modern readers will feel, for example, in how the ‘dark-skinned’ Calormenes are presented. 

He also discusses one of the saddest parts of the stories: that former hero Susan is “no longer a friend of Narnia” by the end of the series. Williams fairly defends this plot-line from those who claim it as evidence of Lewis’ misogyny.

More obviously, the old-fashioned dialogue of the children (“Golly gosh”, “By Gum, you’re a beast” etc) is a turn-off for modern audiences. The Disney films modified this well and used the backdrop of the Second World War at the start of each of the films to provide a more gritty context than that which was portrayed in the books. 

If Netflix holds fast to the core of the books then stylistic changes and wise handling of aspects that are uncomfortable for today’s audience will enhance the series. All stories need reinterpreting for a new audience.

The Great Story…

Narnia is a great story, but a key reason for its enduring popularity is because it reflects something of the Great Story of which we are all a part. As Lewis puts it himself in the conclusion of the final book: “Now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before.”

I wish you all the best with the production of the series and I look forward to seeing the result. 


Jon Kuhrt, Narnia fan, South London (aged 48)

An unedited version of this open letter first appeared on the Grace + Truth blog and is published here with permission

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